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El País

“la imponente Nicole Chevalier aprovechó el aria del despecho de Electra para incendiar el teatro salzburgués”

Der Standard

“phänomenal: Nicole Chevalier”

Frankfurter Rundschau

„Ein innigliches, im Timbre schön aufeinander abgestimmtes Paar bilden (…) Jarret Ott und sein Tenorkollege Elmar Gilbertsson als Orest und Pylades – ein hochkompetentes Ensemble“

Stuttgarter Nachrichten

„empathische, befeuerte Sänger (Jarrett Ott, Amanda Majeski, Elmar Gilbertsson).“

Opera Today

“Orendt’s Guglielmo rather revelled in the vast comic scale of his arias. It’s not just that the voice is so large, but it’s that it also has such a developed and innate sense of character. The voice can sound mocking one moment – almost like a foil to Thomas Allen’s Don Alfonso – but the next it seems to imitate the orchestra – how some of Orendt’s notes rang out against some of the brass fanfares, as if in a comic duet, was thrilling”

Opera Online

“Gyula Orendt proves a superb actor and brilliant all-rounder as Guglielmo”